About

I am a multi-disciplinary artist working mostly in live performance contexts. I’ve got an eclectic background in theatre and art practice, and I tend to follow whatever’s flirting with me most in the moment. I’m currently undertaking a doctoral research project investigating improvisatory performance practices as an ethical way to meet the queer/unruly dead – specifically Mary Frith.

My work with Improbable as Open Space Producer, and on other Improbable projects, means I’m constantly being introduced to new methods, ideas and directions. I try to say yes to these as much as possible and see where I end up. This wilful dilettantism makes it hard to sum up exactly what I do, but curiosity and a meaningful conversation with the world underpin whatever I make.


Current projects:

Notes to the Forgotten She-Wolves

A dramatic short created as part of the Notes to the Forgotten She-Wolves series at Shakespeare’s Globe

The History Bois: A Drag King Take-Over

A week-long drag king takeover of The Spire, as part of Brighton Fringe 2020